| Photos (see all 109 | slideshow) | Videos |
| Larry Berry | ... | Himself | |
| Tommy the Clown | ... | Himself | |
| Dragon | ... | Himself | |
| La Niña | ... | Herself | |
| Miss Prissy | ... | Herself | |
| Christopher Toler | ... | Lil C | |
| Ceasare Willis | ... | Tight Eyez |
Directed by | |||
| David LaChapelle | |||
Original Music by | |||
| Amy Marie Beauchamp | |||
| Jose Cancela | |||
Cinematography by | |||
| Morgan Susser | |||
| Michael Totten | |||
Film Editing by | |||
| Fernando Villena | |||
Makeup Department | |||
| Gregory Arlt | .... | makeup artist | |
Production Management | |||
| Darcy Jennings | .... | production manager | |
Sound Department | |||
| Christopher S. Aud | .... | sound editor | |
| Ryan David | .... | mix stage recordist | |
| Mat Dennis | .... | sound recordist | |
| Tyler Duuring | .... | sound mixer (as Tyler Tosh) | |
| Michael J. Fox | .... | adr mixer | |
| Terry Garcia | .... | assistant sound editor | |
| David Giammarco | .... | sound re-recording mixer | |
| Tim Hays | .... | sound mixer | |
| J. Paul Huntsman | .... | sound supervisor | |
| Mark L. Mangino | .... | dialogue editor | |
| Mark Patino | .... | field sound mixer | |
| Gregory H. Watkins | .... | sound re-recording mixer | |
| Robert Cannon | .... | boom operator (uncredited) | |
Visual Effects by | |||
| Gregory Creaser | .... | digital intermediate colorist | |
| Stephen Jennings | .... | digital effects artist | |
| Gerald Ragland | .... | on-line assistant editor | |
| Steven J. Scott | .... | digital intermediate colorist: EFilm | |
Camera and Electrical Department | |||
| Donovan Davis | .... | key grip | |
| Sean Hellfritsch | .... | camera operator | |
| Leda Maliga | .... | additional cinematographer | |
| Barry Norwood | .... | additional photographer | |
| Haydn Pazanti | .... | film loader | |
| Sasha Rendulic | .... | camera operator | |
| James Roddy | .... | camera operator | |
| Joseph M. Setele | .... | camera operator | |
| Michael Totten | .... | camera operator | |
Editorial Department | |||
| Denise Brown | .... | telecine producer | |
| Bob Fernley | .... | digital intermediate producer | |
| Kim Graville | .... | telecine producer | |
| Dave Hussey | .... | lead colorist | |
| Brian Jones | .... | assistant editor | |
| Jack Lewars | .... | assistant color timer: Efilm | |
| P.J. Marsiglia | .... | colorist | |
| Sin-Halina Sy | .... | assistant editor | |
Music Department | |||
| Tim Hays | .... | music playback operator | |
| Will Kaplan | .... | music editor | |
| Jonathan McHugh | .... | music supervisor | |
| Fredrik Sarhagen | .... | score mixer | |
| Anthony Talauega | .... | music producer | |
| Richmond Talauega | .... | music producer | |
| Suren Wijeyaratne | .... | music mixer | |
Other crew | |||
| Monique Barrett | .... | production assistant | |
| Irwin M. Rappaport | .... | production attorney | |
| Natalie Reubens | .... | production coordinator | |
| Richmond Talauega | .... | choreographer | |
Thanks | |||
| Christina Aguilera | .... | thanks | |
| Eminem | .... | thanks (as Marshall Mathers) | |
| Lauryn Hill | .... | thanks | |
| Elton John | .... | thanks | |
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| Bulworth | Boyz n the Hood | Mad Hot Ballroom | Friday | Save the Last Dance |
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| Full cast and crew | Company credits | External reviews |
| IMDb Documentary section | IMDb USA section | Add this title to MyMovies |
Primus fans, admittedly not exactly the target audience for this film, will immediately recognize the lyrics above and hopefully get a little kick out of it. People who don't know Primus, probably most of the people who would watch this documentary and read about it, will most likely send me angry e-mails.
I am not the biggest fan of hip-hop, rap, r&b, etc., but I decided to check out this documentary because I recently moved to LA and I appreciate seeing people who take difficult life situations and turn them into something positive, and that is exactly what happens in this movie. All of these kids living in the so called dangerous parts of Los Angeles take their frustration and their fear and channel it into a unique style of dancing, which is often quite a spectacle to behold.
It starts with a man who calls himself Tommy the Clown, who entertains at children's parties much like most other types of clowns, except that he specializes in an amazing dance performance rather than magic tricks and balloon animals, and before long other dancing clown groups are popping up all over the place, mostly staffed by kids and teenagers who otherwise would more than likely get involved in a life of crime.
This is an amazing look into the reality of the lives that these people live, right down to individual dance parties, some of the unwritten social rules of the people who dance together (the styles change so quickly that they can tell who has missed even a single day of dancing), and tragic events that take place in their everyday lives. Even if this is not your style of music or dancing, this documentary is definitely worth a look to see how some people take something so difficult and so bad in their lives and turn it into something good. Truly inspiring.